In “Thomson Eats in the Grassland” I inquire about the presentation of embalmed animals from the collections of the natural science museums of Buenos Aires, La Plata, and the Natural History Museum of London, the practice and their relationship between fiction and reality.
I was especially struck by those "animals" that were placed in slideshows. I photographed the set with the lighting of the rooms as they were exposed and used the cutouts trying to resemble the fiction as much as possible to real life, just as I understand that was the original intention of the museum. The photographs have a special inertia of almost dreamlike estrangement.